The only shots that included a lot of natural light were the establishing shots and the shot introducing the final girl.
The others required either a dimly lit setting (blinds pulled down over windows) or the L.E.D light in the dark room during the scenes of the dead bodies.
Artificial lighting played a large part in our trailer as we followed the idea that "what is not seen is scarier than what is seen" and wanted to control what remained hidden and what was focussed on.
The dim lighting also created an atmosphere that accompanied the narrative and pace of the trailer.
